Language, Music and Gesture: Informational Crossroads: LMGIC 2021

Preface I. LANGUAGE-MUSIC-GESTURE AS SEMIOTIC SYSTEMS 1. Nina Scherbak, Saint Petersburg State University Theory of sign and cognitive abilities, interaction of musical and literary languages 2. Konstantin V. Zenkin, Tchaikovsky Moscow State Conservatory Music sense and gesture 3. Alexandra Krylova, Rachmaninov Rostov State Conservatory Acousmatic objects in the space of multimedia installations 4. Giula Baijan Shamilli, The State Institute for Art Studies Language and Music in Aspect of a Subject-Predicate Construction: Hierarchical and Non-hierarchical Structures 5. Tugral Oguzhan, Independent researcher, Turkey On The Syntax Of A Compound Maqam In Turkish Art Music: Yet, Another Look At Maximal Projections In Generative Grammar Studies In Music 6. Anastasia Gundorina, Gnesins Russian Academy Of Music Metaphor as a structural principle of modern musical notation II. LANGUAGE-MUSIC-GESTURE ONSTAGE 1. Olga Manulkina, Saint Petersburg State University Reading Opera: Verbal vs Nonverbal in Opera Theatre at the Late 20th and Early 21st Centuries 2. Sophie Benn, Case Western Reserve University By Any Other Name: Historiography and Phraseology in Dance and Music, 1820-1860 3. Elena Pogorelova, Saint Petersburg State University A gesture and a word in a dance performance (The Wedding by Bronislava Nizhynskaya and Orpheus and Eurydice by Pina Bausch) 4. Ekaterina Levina, Vaganova Ballet Academy K.King's "Metapoiesis" as a form of intertext 5. Ilia Kronchev, Saint Petersburg State University Language of Body in Rebecca Horn's performances: the pattern of the gesture and its semiotics III. VERBALIZATION OF MUSIC AND GESTURE 1. Polina Eismont, Saint Petersburg State University The role of gestures in storytelling: static vs. dynamic 2. Leonid V. Pakhomov, Elena V. Erofeeva, Tatyana E. Petrova, Perm State National Research University, Saint Petersburg State University Metaphorical Space of Discourse: Modeling of a Vocal Metaphor Target-Domain 3. Elena Chistova, Siberian Federal University Non-verbal semiotics in dance narrative and simultaneous interpreting: a cognitive intersection 4. Annamaria Minafra, Independent researcher, UK Exploring gestures and body language in professional musicians during the self-reflection process on technical movement IV. THE BEAT OF LANGUAGE 1. Sofiya Ros, Utrecht University When language has a beat: Senegalese drum language and linguistic theory 2. Vera V. Evdokimova, Saint Petersburg State University A comparative analysis of the long-term speech spectra in dialogues 3. Tatiana Kachkovskaia, Saint Petersburg iState University Intensity patterns of final and non-final IPs: a corpus-based study 4. Ekaterina Zavodova, Vera Karpinskaya, Saint Petersburg State University Cross-modal interaction in visual tasks with rhythmical stimuli 5. Joo Veloso, University of Porto, Portugal Metric and musical prominence in Portuguese folk verse 6. T.V. Skulacheva, N.A. Slioussar, A.E. Kostyuk, A.A. Lipina, E.I. Latypov, V.M. Koroleva, V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences, Saint Petersburg State University, Higher School of Economics, Moscow Information processing in verse and prose: experimental study V. EMOTIONS IN LINGUISTICS AND AI-COMMUNICATION SYSTEMS 1. Artemiy Kotov, Nikita Arinkin, Alexander Filatov, Liudmila Zaidelman, Anna Zinina, National Research Center Kurchatov Institute, Russian State University for the Humanities Model of Emotional Expressions for F-2 Companion Robot 2. Eleonora Beier, University of California, Davis Prosodic focus in speech directed toward human vs. voice-AI interlocutors 3. Beatrice Szczepek Reed, King's College London The musical elements of speech as a co-ordinating resource for conversation: the role of prosodic mirroring 4. Valeriia Dolgaya, Elena Riekhakaynen, Evelina Kuznetsova, Varvara Nikolaeva, Saint Petersburg State University Can adolescents recognize emotional state of their age-mates by speech? 5. Pavel Skrelin, Uliana Kochetkova, Vera Evdokimova, Tatiana Chukaeva, Daria Novoselova, Saint Petersburg State University Creating corpus of speech for the analysis of the acoustic cues of irony 6. Anastassia Kolmogorova, Alexandre Kalinin, Anna Malikova, Siberian Federal University The part and the whole in emotional perception of text: two pathways for assessment of emotional dataset