Aural Diversity

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Aural Diversity, John L. Drever, 9781032024998

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List of Figures List of Tables Acknowledgements List of Contributors John L. Drever and Andrew Hugill: Aural Diversity: General introduction David M. Baguley: Aural Diversity: A clinical perspective PART I: ACOUSTIC ENVIRONMENTS AND SOUNDSCAPE Julian Henriques, Eric Jauniaux, Aude Thibaut de Maisieres, and Pierre Glat: Sound Before Birth: Foetal hearing and the auditory environment of the womb John L. Drever: Phonating Hand Dryers: exploits in product and environmental acoustics, and aural diverse composition and co-composition William Renel: The Auditory Normate: Engaging critically with sound, social inclusion and design Matt Lewis: Listening with Deafblindness Meri Kyt: Soundscapes of Code: Cochlear implant as soundscape arranger Patrick Farmer: William J. Davies: Autistic Listening Karla Berrens: Fire, Drums and the Making of Place During a Correfoc Josephine Dickinson: Alphabetula Ed Garland: Textual Hearing Aids: How reading about sound can improve sonic experience PART II: MUSIC AND MUSICOLOGY Samuel Couth: The Show Must Go On: Understanding the effects of musicianship, noise exposure, cognition, and ageing on real-world hearing abilities Alinka Greasley: Diverse Music Listening Experiences: Insights from the hearing aids for music project Andrew Hugill: Consequences of Mnire’s Disease for Musicians, Their Music-Making, Hearing Care, and Technologies Chris. J. H. Cook: Socialising and Musicking with Mild Cognitive Impairment: A case study from rural Cornwall Matthew Spring: Thomas Mace: A hearing-impaired musician and musical thinker in the seventeenth Century John D’Arcy: Do You Hear What I Hear? Some creative approaches to sharing and simulating diverse hearing Balandino Di Donato: Sign in HumanSound Interaction Duncan Chapman: The Aural Diversity Concerts: Multimodal performance to an aurally diverse audience Jay Afrisando: MusicMaking in Aurally Diverse Communities: An artist statement Simon Allen: Attention Reframed: A personal account of hearing loss as a catalyst for intermedia practice David Holzman: Lost and Found: A pianist’s hearing journey Andrew Hugill: Composing with Hearing Differences Anya Ustaszewski: Composing ‘Weird’ Music Index

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