Description
Selected by Nobel Laureate Louise Glck as Winner of the inaugural Changes Book Prize, Rachel Mannheimers debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make ones life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land artfrom Robert Smithson to Pina Bauschwith observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance. A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glck calls a lesson in how to make something of where we find ourselves. RACHEL MANNHEIMER was born and raised in Anchorage, Alaska, and lives in New Haven, Connecticut, where she works as a literary scout and as a senior editor for The Yale Review. This is her first book. Multiple readings of Rachel Mannheimers thoroughly fresh debut reward and fascinate like multiple visits to Walter De Marias eponymous Earth Room installation. This book is a charismatic travelogue for our interior and exterior landscapes; its a conceptual art catalog with a poets notes written in the margins; its a one-act play of engrossing verbal theater. The stupendous Earth Room makes language a place. Its roomy, its personal, its every day. TERRANCE HAYES, author of American Sonnets for My Past and Future Assassin Rachel Mannheimers Earth Room is something uncanny. Behold the odd charge in the atmosphere: one minute, your attention is carried forth by the poems calibrated details and riveting textures of thought; the next, youre inexplicably bereft, left with a dense, lush grief lodged inside you. Its a feat the poem pulls off again and again: making traces of meaning felt while leaving much unseen. Earth Room registers the body traversing and impressing upon the edges of psychic, physical, and imagined landscapesand at each way station and geographic marking, Mannheimers warm, animating intelligence renews its insistent claim on lifes blurriness and opacity. Earth Room is a singular and lambent collection, made perfectly strange. JENNY XIE, author of Eye Level To describe Rachel Mannheimers elegiac Earth Room, I need to borrow the words an astronaut used to convey his first impression of the moon: magnificent desolation. This is an intimate, understated, lunar-lit work of earthen dispossession in which Mannheimerin community, in grief, in love, and in solitudeacknowledges the very fine eroding line between art and life, and dares not only to cross it, but to do so with abandon. There is nowhere in this vertiginous work, as it takes us to memorials, galleries, performances, parks, guestrooms, seascapes, and cemeteries, in which the scale of human atrocity is not palpably encountered in direct, tactile intimacy. Earth Room is a wholly original confessional-ekphrastic undertaking that brings artifice and reality so close they speak with a single crystalline voiceMannheimers. This is an extraordinary book. ROBYN SCHIFF, author of A Woman of Property How many voices can sustain an entire book length poem? I think of Claudia Rankine and Maggie Nelson. And here, Mannheimer, as she thinks aloud on the page with her supple, discerning intelligence. This is that rare work that is both profoundly alert to its historical moment and also, in the questions it entertains and the magnitude of its intent, timeless. LOUISE GLCK, author of Faithful and Virtuous Night
